I’ve been reading a great blog written by a friend-of-a-friend, and generally I appreciate her insight but was a little taken a back by a couple entries about “warriors“. The warrior is one of the male archetypes that our culture most glorifies and celebrates, which is by (a quarter of an inch of) extension celebrating the will to power and the will to do violence. But the idea that you can condone or celebrate that out there and not bring it back here just doesn’t make sense–not that it’s okay to do violence out there, either.
This is from Shepherd Bliss’s essay, “My War Story“:
The warrior image has damaged us. As we move into the twenty-first century we need to mature beyond wars and warriors. I disagree with those men’s movement writers and activists who speak so highly of the warrior. I appreciate some of his traits–like courage, teamwork, loyalty–but the archetype itself is bankrupt at this point in history. We surely need guardians, boundary-setters, husbandmen, and citizens. If we are to survive on this planet, so threatened by war and warriors, we must get beyond the obsolete archetype of the warrior and value images such as the peacemaker, the partner, and the husbandman who cares for the earth and animals.
Letting go of a rape culture, hierarchy, violence, means celebrating men who fill roles other than “the warrior”. The process of self-re-creation and the revolutions in self-imaging are greatly supported by alternate images and archetypes that aver our new aspirations. After all, the brain doesn’t get rid of neural pathways, but it can create new ones.
So–Yes! Guardians, boundary-setters, husbandmen. I especially like the last, the farmer (in my mind, vegetable farmer) who tends the land, nurtures growth, knows the balance of active and receptive, work and rest, shows patience, persistence. This concept of tending is key–caring for, supporting, rather than controlling or forcing. And what about the dancer who has an exquisite ability to respond to circumstance, bending when the moment calls for it, and staying firm when that is what is needed? The dancer works with energy, resilience, and grace; grace being, as Pablo puts it, “… the balancing opposite of power. It means rolling away and landing on your feet instead of bruised ribs, and small hand movements letting a stronger person tie themselves up when they try to hit you.” In other words, resilience, self-protection and disarmament that are firm and assertive, but not aggressive. And there is the healer, touching, mending, with the courage to open to great suffering. Again this theme of working with, supporting, rather than controlling, or being even a “benevolent patriarch”. And there is the poet whose work is the honoring of the inner life and creation of language; the teacher who is a guide to and within new knowledge; the bread-maker who creates and then relinquishes his creation, day after day, to nourish self and others. These are just a few in a plethora of alternative roles we can imagine self-actualized people of any gender filling–the seeker, the student, the scientist, the lover, to name a few more. Showcasing and celebrating these roles, creating them in our conceptual, social, and visual imaginations, is one important way that art and social media can work as a forces for positive social change.